{ "objects" : [ { "embark_ID" : 16, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/16", "Disp_Access_No" : "2015.2.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Francis", "Sort_Artist" : "Francis, Sam", "Disp_Dimen" : "34 1/4 x 72 in. (87 x 182.9 cm)", "Disp_Height" : "34 1/4 in.", "Disp_Width" : "72 in.", "Dimen_Extent" : "", "Medium" : "monotype printed in colors", "Support" : "handmade paper", "Disp_Medium" : "monotype printed in colors on handmade paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-family:'Helvetica'">Sam Francis’s untitled monotype composition signals the culmination of the artist’s career-long investigation of abstract painterly procedures: the aggressively stroked red field and chance application of colorful drips and blots energize the surface of this broad horizontal frame, synthesizing the dynamism of Jackson Pollock’s drip paintings and the powerfully reductive aesthetics of Color Field painting of the 1940s and 50s. As one of the most prominent second-generation Abstract Expressionists, Francis advanced the formal experiments of the New York School by incorporating a range of other influences into his idiom. Working closely with abstract painter Jean-Paul Riopelle in Paris in the 1950s, Francis explored new painting techniques and the use of color for emotional expression, which coalesced into large scale-compositions dominated by a single, vivid hue. Color enabled Francis to delve into deep metaphysical questions, which he drew from his exposure to Japanese contemplative traditions and the flourishing interest in Eastern philosophy and mysticism among his fellow artists in California, where Francis settled in 1962. </SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Untitled</SPAN><SPAN STYLE="font-family:'Helvetica'"> continues this inquiry: the fiery red field, penetrated by white rectilinear forms entering the composition at shifting angles around the perimeter of the frame, is a kinetic plenitude that exudes the energy of the artist’s mind and spirit. This piece comes from the artist’s prolific output of etchings, lithographs and monotypes, which helped foment the printmaking renaissance on the west coast beginning in the 1960s, inspiring new experiments with printmaking in decades to follow.</SPAN></SPAN>", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Francis_Untitled.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Francis_Untitled.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Francis_Untitled.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Francis_Untitled.jpg", "IsPrimary" : "1", "_SurrogateID" : "72", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 19, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/19", "Disp_Access_No" : "2015.2.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "Arabesque", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolph Gottlieb", "Sort_Artist" : "Gottlieb, Adolph", "Disp_Dimen" : "22 x 29 3/4 in. (55.9 x 75.6 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "", "Medium" : "silkscreen", "Support" : "", "Disp_Medium" : "silkscreen", "Info_Page_Comm" : "", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Gottlieb_Arabesque.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Gottlieb_Arabesque.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Gottlieb_Arabesque.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Gottlieb_Arabesque.jpg", "IsPrimary" : "1", "_SurrogateID" : "10", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20", "Disp_Access_No" : "2015.2.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Extracten", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Graves", "Sort_Artist" : "Graves, Nancy", "Disp_Dimen" : "32 x 24 1/4 in. (81.3 x 61.6 cm) framed", "Disp_Height" : "32 in.", "Disp_Width" : "24 1/4 in.", "Dimen_Extent" : "", "Medium" : "intaglio print", "Support" : "", "Disp_Medium" : "intaglio print", "Info_Page_Comm" : "", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Graves_Extracten.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Graves_Extracten.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Graves_Extracten.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Graves_Extracten.jpg", "IsPrimary" : "1", "_SurrogateID" : "54", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 21, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21", "Disp_Access_No" : "2015.2.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1979", "_Disp_Start_Dat" : "1979", "_Disp_End_Date" : "1979", "Disp_Title" : "View", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Guston", "Sort_Artist" : "Guston, Philip", "Disp_Dimen" : "30 x 42 in. (76.2 x 106.7 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "lithograph", "Support" : "", "Disp_Medium" : "lithograph", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-family:'Helvetica'">A heavy atmosphere drifts through Guston’s View like a cloud of cigarette smoke that is interrupted by thick, frenzied marks and violent scratches. The objects lying on the ground are ambiguous. Are they paintbrushes, or cigarettes; shoe soles, or something else entirely? Remnants of the artist in the studio, these objects appear swollen and limp, taking on a fleshy and phallic quality. Excess corporeality of the spent objects reflects Guston’s pessimism about the meaning of painting and artistic production itself in the 70’s. In a modern world rife with injustice and violence, frantic and furious artistic production seemed like screaming into the wind, no matter how impassioned. Actively seeking to dismantle his artistic reputation as an Abstract Expressionist, Guston turned to making cartoonish representational drawings whose ridiculousness highlights what he perceived as a nonsensical search for meaning in art.<BR/></SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Harlee Mollenkopf `17</SPAN></SPAN>", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Guston_View.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Guston_View.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Guston_View.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Guston_View.jpg", "IsPrimary" : "1", "_SurrogateID" : "11", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 29, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/29", "Disp_Access_No" : "2015.2.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Peace through Chemistry II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "37 1/4 x 63 in. (94.6 x 160 cm)", "Disp_Height" : "37 1/4 in.", "Disp_Width" : "63 in.", "Dimen_Extent" : "", "Medium" : "lithograph and screenprint in colors", "Support" : "", "Disp_Medium" : "lithograph and screenprint in colors", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-family:'Helvetica'">Hanging in the main stairwell in Tomsich Hall, a science building on Kenyon’s campus, it’s fitting that the iconography for Lichtenstein’s </SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Peace Through Chemistry II</SPAN><SPAN STYLE="font-family:'Helvetica'"> focuses on a chemist’s lab. Divided into three panels with a distinct black diagonal running through each, the roundness of the test tubes, microscope, and various gears contrast with the sharp, linear diagonals. The stylized rays in this composition, coupled with the primary colors, contribute to the comic-book quality of the piece, implying that the chemist is a superhero. The celebratory tone of the work may be ironic, though, considering that Lichtenstein made the piece in the 1970s, an era when the United States military utilized harsh chemicals such as Agent Orange as part of the warfare program in Vietnam.</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN><SPAN STYLE="font-family:'Helvetica'">Lichtenstein, dubbed a Pop Artist, took inspiration from comic books and incorporated text, primary colors, and Benday dots in his compositions to create stylized works reminiscent of post-World War II popular culture. He collaborated with printmaker Kenneth Tyler for the creation of </SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Peace Through Chemistry</SPAN><SPAN STYLE="font-family:'Helvetica'"> in lithograph and silkscreen editions to emulate the production means of comic art.</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/><BR/></SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Caroline Chang `18</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN></SPAN>", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015_02_25-Lichtenstein.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015_02_25-Lichtenstein.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015_02_25-Lichtenstein.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015_02_25-Lichtenstein.jpg", "IsPrimary" : "1", "_SurrogateID" : "75", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 37, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/37", "Disp_Access_No" : "2015.2.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "L'Attrape-Soleil", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joan Miro", "Sort_Artist" : "Miro, Joan", "Disp_Dimen" : "36 3/4 x 25 3/4 in. (93.3 x 65.4 cm)", "Disp_Height" : "36 3/4 in.", "Disp_Width" : "25 3/4 in.", "Dimen_Extent" : "", "Medium" : "etching and aquatint printed in colors", "Support" : "Arches wove paper", "Disp_Medium" : "etching and aquatint printed in colors on Arches wove paper", "Info_Page_Comm" : "", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Miro_LAttrapeSoleil.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Miro_LAttrapeSoleil.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Miro_LAttrapeSoleil.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Miro_LAttrapeSoleil.jpg", "IsPrimary" : "1", "_SurrogateID" : "23", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 39, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/39", "Disp_Access_No" : "2015.2.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Still Life", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Catherine Murphy", "Sort_Artist" : "Murphy, Catherine", "Disp_Dimen" : "10 1/2 x 14 1/4 in. (26.7 x 36.2 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "", "Medium" : "etching", "Support" : "", "Disp_Medium" : "etching", "Info_Page_Comm" : "", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Murphy_StillLife.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Murphy_StillLife.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Murphy_StillLife.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Murphy_StillLife.jpg", "IsPrimary" : "1", "_SurrogateID" : "65", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 42, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/42", "Disp_Access_No" : "2015.2.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1976 (printed 1975)", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Study for Standing Mitt", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claes Oldenburg", "Sort_Artist" : "Oldenburg, Claes", "Disp_Dimen" : "38 x 24 1/4 in. (96.5 x 61.6 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "24 1/4 in.", "Dimen_Extent" : "", "Medium" : "offset lithograph in four colors", "Support" : "cream, thick, moderately textured Hammermill Antique Cover paper", "Disp_Medium" : "offset lithograph in four colors on cream, thick, moderately textured Hammermill Antique Cover paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-family:'Helvetica'">Claes Oldenburg’s statues and sketches of everyday items imbue the mundane with imaginative possibility. The soft lines and muted colors of the baseball mitt suggest the simple and comforting nature that the pastime represents. The sketch-like quality of the lithograph speaks to the nostalgia of the mitt, nobly centered against a splotchy brown background. The celebration of this wistful affection alludes to the piece’s purpose as a study for the twelve-foot statue Oldenburg would later construct as one of his many monuments to middle class delights. Consistent with much of the Pop art movement, the piece honors a distinctly American emblem. In keeping with his effort to “give existence to fantasy,” </SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Baseball Mitt</SPAN><SPAN STYLE="font-family:'Helvetica'"> evidences Oldenburg’s fondness for the spirit of the object he portrays.</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/><BR/></SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Molly Donovan `16</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN></SPAN>", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Oldenburg_BaseballMitt.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Oldenburg_BaseballMitt.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Oldenburg_BaseballMitt.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Oldenburg_BaseballMitt.jpg", "IsPrimary" : "1", "_SurrogateID" : "26", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 43, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/43", "Disp_Access_No" : "2015.2.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Proposal for a Colossal Monument in the Form of a Typewriter Eraser for Alcatraz Island (1972)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claes Oldenburg", "Sort_Artist" : "Oldenburg, Claes", "Disp_Dimen" : "sheet: 32 1/2 x 24 in. (82.6 x 61 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "color-offset lithograph in four colors", "Support" : "white, thick, slightly textured Arches paper", "Disp_Medium" : "color-offset lithograph in four colors on white, thick, slightly textured Arches paper", "Info_Page_Comm" : "<SPAN><SPAN STYLE="font-family:'Helvetica'">Initially drawn to the typewriter eraser as “a fine anti-heroic subject,” Oldenburg’s lithograph print imbues a commonplace item with personality. The subtle blurring of the lines and colors suggests an energy, giving new life to the utilitarian tool. Oldenburg elevates the eraser in its isolation, transforming a practical item into an icon and memorializing the materialism of American society. The muddled, pale blue background of the print implies texture, invoking the spirit of the soft sculptures that make up much of Oldenburg’s work. Evidence of Oldenburg’s lithograph print is echoed in the three larger statues in his series, Typewriter Erasers, as well as in several of his other prints and drawings. However, the piece’s original purpose as a proposal for a monument for Alcatraz Island never came to fruition, much like many of Oldenburg’s imaginary anti-monuments. Like these other contemplations, the proposal questions the status of the commemorative statue, replacing the classic heraldic symbols of the nation with a different form of Americana. Given the postmodern power placed upon banal objects, the eraser suggests the dual whimsy and potency of kitsch and serves as an alternative symbol of the spirit of the time.</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/><BR/></SPAN><SPAN STYLE="font-family:'Helvetica';font-style:italic">Molly Donovan `16</SPAN><SPAN STYLE="font-family:'Segoe UI'"><BR/></SPAN></SPAN>", "Dedication" : "Gund Gallery Collection; gift of Mr. and Mrs. Graham Gund ’63", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Oldenburg_TypewriterEraser.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Oldenburg_TypewriterEraser.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Oldenburg_TypewriterEraser.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Oldenburg_TypewriterEraser.jpg", "IsPrimary" : "1", "_SurrogateID" : "27", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 46, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/46", "Disp_Access_No" : "2015.2.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Intermission (from Ground Rules)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Rauschenberg", "Sort_Artist" : "Rauschenberg, Robert", "Disp_Dimen" : "70 x 58 1/8 x 2 3/4 in. 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